I am happy that you mentioned Tughlaq Durbar, but not many do so. The restraint happens spontaneously. As for Tughlaq Durbar, the director wanted that role to be like that. She does not talk much because she has a history with her brother.
I deeply connect and empathise with these characters. And I find crying on screen a bit easier. Not to say I enjoy doing it, because then it would be sadistic (laughs). After Oru Vadakkan Selfie, I have been conscious of it.
